Female · Twintails · Front Left 3/4

About This Reference

Female anime Twintails hair reference from a front left 3/4 view — two high symmetrical tails flaring outward in bell shapes. Key traits: two mirrored high tie points and bell-shaped tail flare. Includes silhouette, best for practicing smooth straight tails flow with bell-shaped flare ends. pair with a high parted study. with a timed practice plan.

Hair design reference showing a female anime character with a twintails hairstyle from a front left 3/4 angle.

1. Structure of Twintails — divided high · smooth straight tails

Twintails gather the hair high into two symmetrical tails, one on each side. Establish the high part and the two tie points, then let each tail flare outward in a teardrop or bell shape. Keep the two tails mirrored so the silhouette stays balanced.

For this exact piece the key specs are: 5 major chunks, bell-shaped flare edges, high parted, and dynamic movement. The silhouette reads as two high symmetrical tails flaring outward in bell shapes.

Distinctive traits to nail: two mirrored high tie points; bell-shaped tail flare; symmetrical left/right balance. If your sketch captures those three, the style will read even at thumbnail size.

• Part: high, with two mirrored tie points.
• Tails: flare outward in a teardrop or bell shape.
• Balance: keep the two tails mirrored and even.

2. Drawing It at the Front Left 3/4 Angle

At a front-left three-quarter angle the hair rotates with the head: the left-side mass foreshortens and the far-right falls compress toward the profile. Keep the part line in perspective and let the fringe wrap around the forehead curve.

Block the two high symmetrical tails flaring outward in bell shapes first, then carve 5 major chunks following the crown flow before refining the bell-shaped flare ends. At the front-left-3-4 angle, balance the left and right falls around the vertical centerline and keep the fringe aligned with the eye-line.

Angle-specific focus for this reference: how the left-side smooth straight tails mass foreshortens toward the viewer while the far-right fall compresses toward the profile line; the part wrapping around the forehead curve.

• The left-side mass foreshortens toward the viewer.
• The far-right falls compress toward the profile edge.
• The fringe wraps around the forehead curve.

3. Gender Styling Notes — Female

Female anime faces read through softness and larger features. The jaw tapers to a gentler, rounded chin, the cheeks are softer, and the eyes are larger and sit slightly lower on the face for a youthful look. The nose is small and subtle, the lips are fuller, and the upper lashes are drawn with a thicker, cleaner line.

With this twintails the medium weight and divided high volume interact with the female head shape: keep the hairline softer and lower and let the high parted do the framing work.

4. What to Watch in This Exact Reference (hair-ref-120)

Study these three focal points in order for Twintails at front left 3/4:

1. How the left-side smooth straight tails mass foreshortens toward the viewer while the far-right fall compresses toward the profile line; the part wrapping around the forehead curve.

2. The bell-shaped flare edge quality and how 5 major chunks follow the skull curve.

3. Where the high parted sits relative to the eye-line and whether strands break the forehead line.

Twintails are all about symmetry and the bell shape of each tail. Study how the tie point sits high on the head and how each tail flares outward and slightly downward. The two tails should be mirror images of each other.

5. Common Mistakes for Twintails at Front Left 3/4

Drawing the far-side hair at the same width as the near side — with 5 major chunks, the far side should compress toward the profile edge.

Drawing both sides of the hair at the same width. At 3/4 the far-side volume should be thinner than the near side.

Style-specific check: Making the two tails different sizes or shapes. Twintails are symmetrical by definition — if one tail is longer or wider than the other, the design reads as accidental, not stylistic.